Camouflage

Fodder, detail

I use fabric from worn camouflage uniforms to create installations about the devastation of war. Originally designed by artists to conceal soldiers in nature, camouflage becomes, in my work, a way to metaphorically return those patterns back to nature. I often use intentionally rough craftsmanship to depict the insanity and absurdity of war. In other work, careful obsessive sewing speaks to the fragility and beauty of the human body. At a time when war is becoming highly technological, hand-sewing can re-focus attention on the personal.

Fodder, seams from worn camouflage uniforms, variable dimensions, 2004
Constellation, fabric from Canadian army uniforms worn in Bosnia, 300cm x 10m, 2010
Constellation, detail
Incarnate, Woodland camouflage uniform, embroidery thread, 155 x 70cm
Collection The Rooms Art Gallery, 2001-2004
Incarnate, detail
Rain, fabric from camouflage uniforms, 450 x 400cm diameter, 2007
Rain, detail
Target, fabric from desert camouflage uniforms, newspaper, glue, cotton, 400 x 400 cm, 2010
Target, detail
The Old Lie, seams from worn camouflage uniforms, 330 x 750 cm, 2007
The Old Lie, detail
Conscript, fabric from worn army uniforms, lining fabric from Canadian uniforms worn in Bosnia, double-fold bias tape, vintage boot buttons, thread (collaboration with Dana Kletke, inspired by slippers made with World War II parachute silk by her Great-Uncle and British soldier Edward Lemoine) 13 x 15 x 5 cm, 2024
Gambit, fabric from worn camouflage army uniforms, embroidery thread, spruce wall bracket, stones, 500 x 160 cm, 2024
Gambit, detail
The birds sing so sweetly – they don’t know there’s a war going on, fabric from desert camouflage army uniforms, newspaper, white glue, 275 x 250 cm, 2024
The birds sing so sweetly – they don’t know there’s a war going on, detail