
Collection Winnipeg Art Gallery, 1995
My work as a textile pattern designer in Montreal influenced the imagery in these steel dresses, which I created to express the strength and diversity of women. Using a plasma-arc cutter, I created patterns based on forms historically associated with women. In this work I interweave correlations between material, image, and content to present alternative visions of gender. Feminism supports domestic activities as a valid approach to contemporary art practice, so I consider making these steel dresses as “sewing with fire.”

Collection Royal Ontario Museum, 1995

Collection The Rooms Art Gallery, 2000



Collection Seneca College, 1996

Collection Trillium

Collection The Rooms Art Gallery



Collection Lakehead University Orillia